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Learn Photoshop

Technique -

A lot of news photographers don't think that they are allowed enough time to light pictures, so they rely on their hot shoe mounted flash or on moving their subject into the daylight. If your kit is lightweight and well planned, if it's reliable and quick to assemble then you can light as much of your work as you want to. I tend to specialize in editorial portraiture, so that is the area of work that I'm going to talk about. My basic kit is one Lumedyne 200 joule pack, one standard head, two regular batteries, one stand, an umbrella, a Chimera softbox and a Pocket Wizard kit - all in one sling bag. In October 2003 I have added an Umbrella Box to my kit in the hope of replacing two light modifiers with one!


deals with flash and blur

mixed colour temperatures

flash overpowering daylight

using silhouettes

using reflections

shooting from the shade

shooting at dusk

adding colour

flash and blur revisited

the interview portrait

different styles

changing your plans

using a small flash

shade, sky and flash

shooting through glass

adding to daylight

deliberate shadows

re-create the scene

north light

silhouettes again

flash fall off

concealed flash

the light inside

against the light

the old master


waving the flag

artists portrait

working with design

composite images

positive clutter

small flash 2

more about glass

not still life

lighting speeches

colour accents

view from above

available colour

people & glass

pool of light

pep up background

picking a mood

replacing colour

hiding background

white balance games

quick portrait

fantastic location

a big glass box

in the park

2 minute still life

opportunism


using kick lights


flash in a box

why we use it

CBIS
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